Posts Tagged Multimedia/Visual Journalism
The Morgue (The Good One!)
Posted by bruce in Art, Documentary Photography, History, News, social displacement, Technology, The Human Condition on May 15, 2012
You got to love paper. And aging. And photos. And writing.
Yes, it’s all in the “database” there, at the end of the keyboard, through Google. But is it?
Even if it is it has no texture, no odor, no reality.
Take this trip to The New York Times Morgue. A perfectly wonderful place to spend a lifetime.
Altaf Qadri
Posted by bruce in Documentary Photography, Middle East, Photography That Matters, Photojournalism, Street Photography on December 28, 2011
Altaf Qadri, 35, is an award winning photographer.
Qadri, 35, won a World Press Photo award this year for his poignant photograph of relatives mourning over the body of a man killed in a shooting by Indian police in Indian-controlled Kashmir.
photography Altaf Qadri
Qadri, an Indian citizen, is a native of the Kashmiri city of Srinagar. He studied science at Kashmir University and worked as a computer engineer before taking a job as a staff photographer at a local Kashmiri newspaper in 2001.
CLICK ON THIS IMAGE FOR MORE Altaf Qadri: 
In 2003, he joined the European Press Photo Agency and covered the conflict in Kashmir. In 2008, he began working for The Associated Press in the Indian city of Amritsar. His work has appeared in magazines and newspapers around the world and has been exhibited in the United States, China, France and India.
André Cypriano Shoots The Other Venezuela
Posted by bruce in Conflict, Documentary Photography, Photography That Matters, Photojournalism, South America, Street Photography on December 9, 2011
From Shantytown by André Cypriano-©2011
André Cypriano takes us into the forbidden hills of Caracas Venezuela. He takes us into a strange land of oddly shaped houses, winding streets carved out of the hills, into a land so odd and so foreign that it must be myth but can only be reality. He notices, as all greart documnentarey phtography does, that ordinary reality, in some cases, is always more intense and mind-boggling than any fiction can be,
Cypriano takes us to Rochinha.
How he got there, who gave him access and what he encounters is worth serious viewing time. In the New York times Lens Blog post, below, wander with André.
He will take you on a journey you well not forget.
For more from André Cypriano, see:
http://lens.blogs.nytimes.com/2011/12/06/in-brazil-finding-dignity-in-horror/
Terry and the Dinosaur
Posted by bruce in Photojournalism, Roadside Attractions, Street Photography on October 15, 2011
Ami Vitale; Beauty, Power, Life
Posted by bruce in Africa, Art, Children, Conflict, Documentary Photography, Middle East, News, Photography That Matters, Photojournalism, social displacement, South America, The Americas, The Human Condition on September 2, 2011
Hungary Baths by Amy Vitale©2011
From Ami Vitale’s website (http://www.amivitale.com):
Ami Vitale’s journey as a photojournalist has taken her to more than 75 countries. She has witnessed civil unrest, poverty, destruction of life, and unspeakable violence. But she has also experienced surreal beauty and the enduring power of the human spirit, and she is committed to highlighting the surprising and subtle similarities between cultures. Her photographs have been
exhibited around the world in museums and galleries and published in international magazines including National Geographic, Adventure, Geo, Newsweek, Time, Smithsonian. Her work has garnered multiple awards from prestigious organizations including World Press Photos, the Lowell Thomas Award for Travel Journalism, Lucie awards, the Daniel Pearl Award for Outstanding Reporting, and the Magazine Photographer of the Year award, among many others.
Now based in Montana, Vitale is a contract photographer with National Geographic magazine and frequently gives workshops throughout the Americas, Europe and Asia. She is also making a documentary film on migration in Bangladesh and writing a book about the stories behind the images.
Henri Still Kicks!
Posted by bruce in Documentary Photography, Photography That Matters, The Human Condition on July 2, 2011
Article posted courtesy of Huffington Post and Steve Ettlinger
Is Photojournalism Dead Yet?
by Steve Ettlinger
Born in the 1930?s, come of age in the 1950?s and 60?s, and pronounced near dead in the 1970?s and virtually buried by the closing of magazines/rise of the internet–you have to wonder how it is that some aspects of this wonderful world are still around. Read the rest of this entry »
JR Is Outside In
Editor’s Note: This is an amazing project. In the era when people worry about the demise and/or future of journalism, when academics question the effectiveness of journalism in a 24/7 news cycle world, there is JR, who is producing and promoting another form of photojournalism and not only bringing his subjects into the communication process, he is bringing the work done on the subjects back to their environments. Check it out:
INSIDE OUT is a large-?scale participatory art project that transforms messages of personal identity into pieces of artistic work. Everyone is challenged to use black and white photographic portraits to discover, reveal and share the untold stories and images of people around the world.
SEE VIDEO
Andrea Bruce Shoots You In The Heart
Posted by bruce in Conflict, Documentary Photography, Middle East, Photography That Matters, social displacement, The Human Condition, War, Women on July 2, 2010
Ingushetia by Andrea Bruce
Andrea Bruce is a passionate, stylish, skilled documentary photography who’s images -in the best traditions of still photography- sear your soul and drive their point through your heart, restoring it instead of terminating it. She is the new breed of documentary photographer that blends all the skills of good journalism with all the skills of great graphic image-making and produces a coctail that is nothing less than photo alchemy.
Take a look: http://www.andreabruce.com
Ashley Gilbertson: Shrines and Conflicts
Posted by bruce in Conflict, Documentary Photography, Photography That Matters, social displacement on April 19, 2010
Contact Sheet of Ashley Gilbertson’s Conflict Photography
“He has a very good news sense and for me that’s really essential,”
says Cecilia Bohan, foreign picture editor for The New York Times.
“I need them [her photographers] to be my eyes and ears on the ground.”
Ashley Gilbertson is a VII photographer and one of the strongest Conflict Photographers working today. His recent work, done far from the battlefield but in the bedrooms of fallen soldiers, is one of the strongest testaments to the outright sadness about Loss that War induces, that this editor has ever seen.
For a sample of Mr. Gilbertson’s work:
- For a personal website:SEE: http://www.ashleygilbertson.com/index.php
- A piece from 2004 in Photo District News, SEE: http://www.ashleygilbertson.com/index.php
- For The Shrine Down The Hall, SEE: http://www.nytimes.com/interactive/2010/03/21/magazine/20100321-soliders-bedrooms-slideshow.html?hp
Moises Saman: Lost Boys of Afghanistan
Posted by bruce in Children, Documentary Photography, Middle East, The Human Condition on August 31, 2009
Lost Boys of Afghanistan by Moises Saman
See this stirring slideshow by Moises Saman shot for The New York Times: http://www.nytimes.com/slideshow/2009/08/27/world/20090827AFGHANMINORS_index.html
Dhiraj Singh: Video Biographer
Posted by admin in Documentary Photography, Photography That Matters, social displacement, The Human Condition on August 7, 2009
[pro-player]http://documentaryshooters.com/wp-content/uploads/2009/08/my-name-is-dechen.flv[/pro-player]
“My name is Dechen.”
Watch this touching video done by Dhiraj Singh.
He did an interesting thing: A Video Biograph.
In a way, all Visual Journalists who do stories on people, are doing “biography,” but with the addition of audio, where the subject can speak for themselves (edited, of course), where the image-maker can animate the images and drive the viewer’s emotions, the subject of the story becomes more “alive,” the depth is ratcheted up, and, potentially, the medium is beginning to resolve the age old struggle of photojournalism: Who’s viewpoint is this about? The subject’s or the photographer’s? Read the rest of this entry »






