Posts Tagged humanitarianism
Lartigue: The Human Is The Tool
Posted by bruce in Documentary Photography, fun, Photography That Matters, The Americas on July 13, 2009
For More Photos by JHL: http://photography-now.net/jacques_henry_lartigue/portfolio1.html
In a time when camera phones -and videos- are ubiquitous and that, in many cases, people using them are the only sources of images and information (Iran), the work of Jacques Henri Lartigue is even more relevant than it was in the early 20th Century.
Lartigue, the boy, wasn’t a photographer: he was a kid with a camera. No big deal. Like people with camera phones now.
Look at the images!
Joyous, exuberant, beautiful in composition and moment of capture, they stand as a good document of the times and an excellent expression from that young boy who, obviously, exalted at the possibilities of his life in general and the possibilities of photography in paticular.
So, keep those camera phones snapping (if you have the “snap” sound enabled) and keep posting them on MySpace and Twitter and Flickr and Facebook and keep some of the big hitters (NY Times, etc.) telephone numbers in the other end of that phone, because, once again, we’re reminded, it ain’t the tool, it’s the eye and heart and mind.
Yours (if you use it).
Vote
Posted by bruce in Documentary Photography, Photography That Matters, social displacement, The Human Condition on July 2, 2009
“Vote,” Selma Voting Rights March, 1965
©Bruce Davidson
Sometimes we forget that the “Big Work,” the work that one becomes known for making isn’t all there is.
Bruce Davidson went south, from Chicago, on instinct.
The world was shaking and he felt the vibe.
The time was now: Civil Rights.
Real change.
Without assignment or specific destination he “nailed it,” and was able to work on the edges of the news, tell the story from a personal and deeply intimate viewpoint.
This image, for me, is one his best. Beautiful composition. Beatiful moment. Beautiful storyline. Iconic and packed with all the elements that make it a novel unto itself, if this was the only photography that existed from the era it was shot in, it would, I think, be enough to tell the story of the struggle.
One word and one image: sometimes it’s enough: Vote.
For More on Bruce Davidson: http://en.wikipedia.org/wiki/Bruce_Davidson_(photographer)
Go Fly A Kite
Posted by bruce in Children, Documentary Photography, fun on June 10, 2009
GO TO: http://todayspictures.slate.com/20090610
Magnum Photographers Fly The Kite
It can’t all be angst and drum!
Every once in awhile a good shooter has got to have some fun, or, at least, see others having fun.
That’s worth a document, right?
People still having fun?
Concept!
Azerbaijan: Displacement Ex-Soviet Style
Posted by bruce in Middle East on May 28, 2009
©Rena Effendi
GO TO: http://www.fiftycrows.org/index.php#s=0&p=0&a=2&mi=2&pt=1&pi=10000&at=1
Displacement. A world wide problem. When the Grid comes you got to move no matter that there is no good place to go to from the bad place you have become accustomed to. It looks the same in Azerbaijan, Mexico DF, Lomas del Poleo, Chicago…wherever.
Rena Effendi takes us into the rarely seen inner Azerbajian, to the mahalla neighborhood in the capitol city of Baku.
Victor Sera: Uprooted
Posted by bruce in Documentary Photography, The Americas on May 27, 2009
©Victor Sera
GO TO: http://www.fiftycrows.org/index.php#mi=2&pt=1&pi=10000&s=1&a=7&p=0&at=3
This is a photo essay on the lives of the undocumented as they navigate between their homes and their country chosen for work.
In some ways the “landscape,” of this document has changed since it was photographed in the 1990′s. The immigration interdiction efforts by the United States has reduced the number of migrants and, more recently, the lack of jobs in the U.S. due to the faltering economy has reduced it even further. The personal plight for migrants in the U.S. has changed for the worse, making any return to the mother country impossible due to the danger of the return journey.
This document, however, is still quite valid. The existential delemna of home and heart weighed against stomach and uprootedness is ongoing, worldwide and, as this work shows, problematic.
Braziliano Documentary Photographer
Posted by bruce in Documentary Photography, Photography That Matters, The Human Condition on May 20, 2009
Los Ninos de Las Calles/Mexico
Posted by bruce in Children, Documentary Photography, Photography That Matters, The Americas, The Human Condition on May 20, 2009
GO HERE: http://truthwithacamera.org/mexico_slideshow.mov
Editor’s Note: This is from Truth With A Camera, the incredible workshops supported by the National Press Photographers Association (NPPA). Never a better example of what Still Documentary Photography is and can do.
Jonathan Torgovnik, Rawanda, Documentary Photography
Posted by bruce in Africa, Children, Documentary Photography, The Human Condition on May 20, 2009
Avedon And The American West (Sort of…)
Posted by bruce in The Americas, The Human Condition on February 12, 2009
Photography Sites
Border-Blog- Back From Teacherland: Watch Out!Low Rider’s Crucufix, east El Paso-May 2012 ©Bruce Berman One sees the world through one’s own window. This is the Low Rider’s punta de vista. What’s your’s? Rato Vato.…I’m back! Copyright secured by Digiprove […]
- Lost And Looking For Redemption In The Mountains of JuarezMan#26, The Other Truth series, Juarez, May 2011 Christmas Eve/El Paso A Personal Narrative Lost and abandoned. Christmas Eve reminds me of that, right now, as I look out my south-facing window to Juarez (three blocks away) across the valley of Juarez, to the foothills of the Sierra Madre, where Creamac sits, CREAMAC, the “mental […]
- Crossing the Rio without ConfusionUndocumented Women CrossingThe R2, Juraez-El Paso, 1984 Text and photograph by Bruce Berman The river with two names: Rio Grande/Rio Bravo del Norte. Depends where you begin and where you end and where you return to. These women are heading north. It was a long time ago. Everything has changed and nothing has changed and […]
- Man In The SegundoMan in the Segundo, El Paso — Sept. 2011 Photo and Text by Bruce Berman Man from Anthony, New Mexico, describing his younger days in the Segundo barrio. The Segundo barrio is El Paso’s most historic neighborhood, hugging the border with Juarez, Mexico and architecturally intact from the 1880’s “railroad boom,” that brought fired […]
- Robot Geeks Attack El PasoV.I.P. at Robo-Geek Fest, El Paso, Texas all photographs by Bruce Berman Robots at Robo-Geek Fest, El Paso, Texas Robot attacks little girl at Robo-Geek Fest, El Paso, Texas Story by Bruce Berman El Paso —- Four-wheeled robots wielding paintball guns took over the Western Technical College Northeast campus on October 15, when students […]
- Night Out With The Man Who Loves DogsThe man who loves dogs (who doesn’t?), Las Cruces, New Mexico, September 2011 FOR SLIDESHOW: Photos and Text by Bruce Berman Las Cruces NM — Gary Bailey. Mensch (in Yiddish it means “a person of integrity and honor”). He is the man who loves dogs. One of them. He rescued all five of these. The […]
- House of the AbandonedMaria Full Of Grace, from The Other Truth (T.O.T.) series, Juárez, May 2011 Photo and Text by Bruce Berman Juárez — Maria. Full of grace. And other emotions. A permanent resident of CREAMAC, in the hills of Juárez, way up there, near the Guadalupe, the last place on one of the last streets, near the […]
- An Iconic Survey of the Border Funklands:1975–2011Teepee on the Carlsbad Highway, from the Funklands Project ©Bruce Berman FOR SLIDESHOW: […]
- The Heart of El Paso/Alligators And Kids With HeartLuis Jimenez’ Largartos (Alligators) in San Jacinto Plaza, El Paso, Texas, July 2011 by Bruce Berman El Paso – by Bruce Berman This is what kids do on their Quincineras in El Paso. They go to the heart of El Paso. They go to the downtown plaza, the “San Jacinto Plaza.” This is […]
- Prom Night: The Boogie Man Is A Long Way AwayProm Girl, El Paso, Texas –May 2011 Murder schmurder! It’s Prom Night in El Paso. Those buildings in the background are downtown El Paso. The space behind, the mountain, that’s Juarez. That girl there, in the foreground, the one with the whimsy and the joy and the hopes and the fragility, she’s a […]
- Back From Teacherland: Watch Out!