Posts Tagged America
Andrea Bruce Shoots You In The Heart
Posted by bruce in Conflict, Documentary Photography, Middle East, Photography That Matters, The Human Condition, War, Women, social displacement on July 2, 2010
Ingushetia by Andrea Bruce
Andrea Bruce is a passionate, stylish, skilled documentary photography who’s images -in the best traditions of still photography- sear your soul and drive their point through your heart, restoring it instead of terminating it. She is the new breed of documentary photographer that blends all the skills of good journalism with all the skills of great graphic image-making and produces a coctail that is nothing less than photo alchemy.
Take a look: http://www.andreabruce.com
Alan Berner And The American West
Posted by bruce in Documentary Photography, Photography That Matters, The Americas on July 29, 2009
Harold G. Olson and his goat Buddy,
Stuck, Washington, ©2005
(from a story on annexation in
King County, Washington)
Alan Berner is a staff photographer for the Seattle Times.
He is also one of the most exciting, interesting and undiscovered photography talents on the planet.
His work is lyrical, thoughtful, enjoyable, moving, well constructed and intelligent. Read the rest of this entry »
Vote
Posted by bruce in Documentary Photography, Photography That Matters, The Human Condition, social displacement on July 2, 2009
“Vote,” Selma Voting Rights March, 1965
©Bruce Davidson
Sometimes we forget that the “Big Work,” the work that one becomes known for making isn’t all there is.
Bruce Davidson went south, from Chicago, on instinct.
The world was shaking and he felt the vibe.
The time was now: Civil Rights.
Real change.
Without assignment or specific destination he “nailed it,” and was able to work on the edges of the news, tell the story from a personal and deeply intimate viewpoint.
This image, for me, is one his best. Beautiful composition. Beatiful moment. Beautiful storyline. Iconic and packed with all the elements that make it a novel unto itself, if this was the only photography that existed from the era it was shot in, it would, I think, be enough to tell the story of the struggle.
One word and one image: sometimes it’s enough: Vote.
For More on Bruce Davidson: http://en.wikipedia.org/wiki/Bruce_Davidson_(photographer)
Victor Sera: Uprooted
Posted by bruce in Documentary Photography, The Americas on May 27, 2009
©Victor Sera
GO TO: http://www.fiftycrows.org/index.php#mi=2&pt=1&pi=10000&s=1&a=7&p=0&at=3
This is a photo essay on the lives of the undocumented as they navigate between their homes and their country chosen for work.
In some ways the “landscape,” of this document has changed since it was photographed in the 1990′s. The immigration interdiction efforts by the United States has reduced the number of migrants and, more recently, the lack of jobs in the U.S. due to the faltering economy has reduced it even further. The personal plight for migrants in the U.S. has changed for the worse, making any return to the mother country impossible due to the danger of the return journey.
This document, however, is still quite valid. The existential delemna of home and heart weighed against stomach and uprootedness is ongoing, worldwide and, as this work shows, problematic.
Displacement In The “Heartland”
Posted by bruce in Documentary Photography, Photography That Matters, The Americas, The Human Condition on May 21, 2009
SEE: http://mediastorm.org/0023.htm
A documentary project on Displacement…in the “Heartland!
This photographer shows how “progress,” comes to everywhere and the displacement is not limited to indigenous people either. In the end it is the interests of Capital weighed against the interests of Labor that is the issue of land appropriation and displacement.
Let this documentary speak for itself.
Avedon And The American West (Sort of…)
Posted by bruce in The Americas, The Human Condition on February 12, 2009
This is one way to approach Documentary. Severely remove all elements of the subject except the subject itself.
Notice that without a background the photographer absolutely controls the statement.




