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	<title>Documentary Shooters &#187; The Americas</title>
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	<link>http://documentaryshooters.com</link>
	<description>A Site That Honors, Displays And Discusses Documentary Photography</description>
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		<title>Alan Berner And The American West</title>
		<link>http://documentaryshooters.com/alan-berner-and-the-american-west.html</link>
		<comments>http://documentaryshooters.com/alan-berner-and-the-american-west.html#comments</comments>
		<pubDate>Wed, 29 Jul 2009 14:10:43 +0000</pubDate>
		<dc:creator>bruce</dc:creator>
				<category><![CDATA[Documentary Photography]]></category>
		<category><![CDATA[Photography That Matters]]></category>
		<category><![CDATA[The Americas]]></category>
		<category><![CDATA[America]]></category>
		<category><![CDATA[B/W Photography]]></category>
		<category><![CDATA[fun]]></category>
		<category><![CDATA[humanitarianism]]></category>
		<category><![CDATA[Landscape]]></category>
		<category><![CDATA[photography]]></category>

		<guid isPermaLink="false">http://documentaryshooters.com/?p=3972</guid>
		<description><![CDATA[Harold G. Olson and his goat Buddy, Stuck, Washington, ©2005 (from a story on annexation in King County, Washington) Alan Berner is a staff photographer for the Seattle Times. He is also one of the most exciting, interesting and undiscovered photography talents on the planet. His work is lyrical, thoughtful, enjoyable, moving, well constructed and [...]]]></description>
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		<title>Lartigue: The Human Is The Tool</title>
		<link>http://documentaryshooters.com/3962.html</link>
		<comments>http://documentaryshooters.com/3962.html#comments</comments>
		<pubDate>Mon, 13 Jul 2009 14:23:03 +0000</pubDate>
		<dc:creator>bruce</dc:creator>
				<category><![CDATA[Documentary Photography]]></category>
		<category><![CDATA[Photography That Matters]]></category>
		<category><![CDATA[The Americas]]></category>
		<category><![CDATA[fun]]></category>
		<category><![CDATA[B/W Photography]]></category>
		<category><![CDATA[Good Life]]></category>
		<category><![CDATA[humanitarianism]]></category>

		<guid isPermaLink="false">http://documentaryshooters.com/?p=3962</guid>
		<description><![CDATA[For More Photos by JHL: http://photography-now.net/jacques_henry_lartigue/portfolio1.html In a time when camera phones -and videos- are ubiquitous and that, in many cases, people using them are the only sources of images and information (Iran), the work of Jacques Henri Lartigue is even more relevant than it was in the early 20th Century. Lartigue, the boy, wasn&#8217;t [...]]]></description>
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		<title>Victor Sera: Uprooted</title>
		<link>http://documentaryshooters.com/victor-sera.html</link>
		<comments>http://documentaryshooters.com/victor-sera.html#comments</comments>
		<pubDate>Wed, 27 May 2009 14:41:35 +0000</pubDate>
		<dc:creator>bruce</dc:creator>
				<category><![CDATA[Documentary Photography]]></category>
		<category><![CDATA[The Americas]]></category>
		<category><![CDATA[America]]></category>
		<category><![CDATA[Americas]]></category>
		<category><![CDATA[humanitarianism]]></category>
		<category><![CDATA[photography]]></category>

		<guid isPermaLink="false">http://documentaryshooters.com/?p=3853</guid>
		<description><![CDATA[©Victor Sera GO TO: http://www.fiftycrows.org/index.php#mi=2&#38;pt=1&#38;pi=10000&#38;s=1&#38;a=7&#38;p=0&#38;at=3 This is a photo essay on the lives of the undocumented as they navigate between their homes and their country chosen for work. In some ways the &#8220;landscape,&#8221; of this document has changed since it was photographed in the 1990&#8242;s. The immigration interdiction efforts by the United States has reduced [...]]]></description>
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		<title>Sam Faulkner</title>
		<link>http://documentaryshooters.com/sam-faulkner.html</link>
		<comments>http://documentaryshooters.com/sam-faulkner.html#comments</comments>
		<pubDate>Fri, 22 May 2009 13:00:31 +0000</pubDate>
		<dc:creator>bruce</dc:creator>
				<category><![CDATA[Children]]></category>
		<category><![CDATA[Documentary Photography]]></category>
		<category><![CDATA[Photography That Matters]]></category>
		<category><![CDATA[The Americas]]></category>
		<category><![CDATA[The Human Condition]]></category>
		<category><![CDATA[Landscape]]></category>
		<category><![CDATA[Middle East]]></category>
		<category><![CDATA[photography]]></category>
		<category><![CDATA[War]]></category>

		<guid isPermaLink="false">http://documentaryshooters.com/?p=3620</guid>
		<description><![CDATA[SEE: http://www.samfaulkner.co.uk/]]></description>
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		<title>Displacement In The &#8220;Heartland&#8221;</title>
		<link>http://documentaryshooters.com/common-ground-illinois-displacement.html</link>
		<comments>http://documentaryshooters.com/common-ground-illinois-displacement.html#comments</comments>
		<pubDate>Thu, 21 May 2009 15:26:43 +0000</pubDate>
		<dc:creator>bruce</dc:creator>
				<category><![CDATA[Documentary Photography]]></category>
		<category><![CDATA[Photography That Matters]]></category>
		<category><![CDATA[The Americas]]></category>
		<category><![CDATA[The Human Condition]]></category>
		<category><![CDATA[America]]></category>
		<category><![CDATA[Landscape]]></category>
		<category><![CDATA[photography]]></category>

		<guid isPermaLink="false">http://documentaryshooters.com/?p=3416</guid>
		<description><![CDATA[SEE: http://mediastorm.org/0023.htm A documentary project on Displacement&#8230;in the &#8220;Heartland! This photographer shows how &#8220;progress,&#8221; comes to everywhere and the displacement is not limited to indigenous people either. In the end it is the interests of Capital weighed against the interests of Labor that is the issue of land appropriation and displacement. Let this documentary speak [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Los Ninos de Las Calles/Mexico</title>
		<link>http://documentaryshooters.com/los-ninos-de-las-callesmexico.html</link>
		<comments>http://documentaryshooters.com/los-ninos-de-las-callesmexico.html#comments</comments>
		<pubDate>Wed, 20 May 2009 15:57:08 +0000</pubDate>
		<dc:creator>bruce</dc:creator>
				<category><![CDATA[Children]]></category>
		<category><![CDATA[Documentary Photography]]></category>
		<category><![CDATA[Photography That Matters]]></category>
		<category><![CDATA[The Americas]]></category>
		<category><![CDATA[The Human Condition]]></category>
		<category><![CDATA[Americas]]></category>
		<category><![CDATA[humanitarianism]]></category>
		<category><![CDATA[photography]]></category>

		<guid isPermaLink="false">http://documentaryshooters.com/?p=3381</guid>
		<description><![CDATA[GO HERE: http://truthwithacamera.org/mexico_slideshow.mov Editor&#8217;s Note: This is from Truth With A Camera, the incredible workshops supported by the National Press Photographers Association (NPPA). Never a better example of what Still Documentary Photography is and can do.]]></description>
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		<title>Avedon And The American West (Sort of&#8230;)</title>
		<link>http://documentaryshooters.com/avedon-and-the-american-west-sort-of.html</link>
		<comments>http://documentaryshooters.com/avedon-and-the-american-west-sort-of.html#comments</comments>
		<pubDate>Thu, 12 Feb 2009 15:04:25 +0000</pubDate>
		<dc:creator>bruce</dc:creator>
				<category><![CDATA[The Americas]]></category>
		<category><![CDATA[The Human Condition]]></category>
		<category><![CDATA[America]]></category>
		<category><![CDATA[humanitarianism]]></category>
		<category><![CDATA[Landscape]]></category>

		<guid isPermaLink="false">http://documentaryshooters.com/?p=2701</guid>
		<description><![CDATA[This is one way to approach Documentary. Severely remove all elements of the subject except the subject itself. Notice that without a background the photographer absolutely controls the statement.]]></description>
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