Susan Meiselas on The Engaged Photographer

Editor’s note: Susan Meiselas, Magnum Photographer and long time great documentarian, discusses documentary photography, motivations, uses, intentions and hopes for the work’s impact on subjects and society.

This project, funded by the Open Society Foundations (Meiselas Co-Curated the project’s exhibition), shows the work of some of the world’s best contemporary photographers working in this discipline.

 

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The “Story Teller With Pictures”: Carl Mydans

Cafe in Pikesville, Tennessee, 1936 (for the Farm Security Administration)

Article edited and written by Bruce Berman

 

Carl Mydans began his photographic career with the Farm Security Administration in 1935, and was quickly hired away by Life magazine in 1936. Mydans photographed national stories until 1939, when Life sent Carl and his wife Shelley Smith Mydans to cover the war in Europe as the first husband and wife photo-journalist team.

From Europe, the couple was re-assigned to the Pacific theater. In 1941 they were captured by Japanese forces in the Philippines and held as prisoners of war until 1943. Mydans returned to the war alone in 1944 to cover the Italian front, while his wife and partner remained behind in the United States.

Carl Mydans was born in Boston on May 20, 1907. The family moved to Medford, Massachusetts, on the Mystic River where Carl went to high school and worked in the local boatyards after school and on weekends. He later became interested in journalism and worked as a free-lance reporter for several local newspapers. In 1930 he graduated from the Boston University School of Journalism.

Carl Mydans, 1936

Mydans then moved to New York and, while working as a reporter for the “American Banker,” began to study photography at the Brooklyn Institute of Arts and Sciences. In July 1935 his skill with the new 35mm “miniature” camera landed him a job with the Department of the Interior’s Resettlement Administration, which soon merged into the Farm Security Administration (FSA). Mydans joined Walker Evans and Arthur Rothstein as the core of the remarkable team of photographers assembled by Roy Stryker to document rural America.

While travelling through the southern states photographing everything that had to do with cotton, Mydans developed the shooting style he would use throughout his career. He concentrated on people, and he photographed them in a respectful and straightforward manner. As he had been taught to do as a reporter, he kept careful notes on every shot.

When Mydans joined the staff of Life in 1936 he joined a group of photojournalists who were changing the way press photography was done. Photojournalists had traditionally used 4×5 Speed Graphic cameras with flashguns and reflector pans, and their pictures of people tended to look much the same: overlit foregrounds fell off to dark backdrops that had no detail. But Mydans and his colleagues at Life relied on 35mm cameras that allowed them to work with available light, capturing a new kind of excitement and activity in their photographs. Their success with the small camera revolutionized the practice of photojournalism.

A man in hospital shows injuries caused in the wake of the atomic explosion in Hiroshima. Credits:Carl Mydans/Time & Life Pictures/Getty Images
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André Cypriano Shoots The Other Venezuela

From Shantytown by André Cypriano-©2011

André Cypriano takes us into the forbidden hills of Caracas Venezuela. He takes us into a strange land of oddly shaped houses, winding streets carved out of the hills, into a land so odd and so foreign that it must be myth but can only be reality. He notices, as all greart documnentarey phtography does, that ordinary reality, in some cases, is always more intense and mind-boggling than any fiction can be,

Cypriano takes us to Rochinha.

How he got there, who gave him access and what he encounters is worth serious viewing time. In the New York times Lens Blog post, below, wander with André.

He will take you on a journey you well not forget.

For more from André Cypriano, see:

http://lens.blogs.nytimes.com/2011/12/06/in-brazil-finding-dignity-in-horror/

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Bruce Berman Shoots Juárez

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El Paso —-

Bruce shoots Juárez. Reluctantly and with remorse.

Since 2008 the photographer has been documenting the aftermath of violence in the troubled northern Mexico city. His interest is in the effect of the Cartel War on the population of the city, particularly the effect on the children of the city who have grown up knowing little else.

His current work is in a mental institution in the city, what he refers to as “The House Of The Abandoned.”.

The body of work -The Other Truth- will appear on this site on November 18th.

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Ami Vitale; Beauty, Power, Life

Hungary Baths by Amy Vitale©2011

From Ami Vitale’s website (http://www.amivitale.com):

Ami Vitale’s journey as a photojournalist has taken her to more than 75 countries. She has witnessed civil unrest, poverty, destruction of life, and unspeakable violence. But she has also experienced surreal beauty and the enduring power of the human spirit, and she is committed to highlighting the surprising and subtle similarities between cultures. Her photographs have been

exhibited around the world in museums and galleries and published in international magazines including National Geographic, Adventure, Geo,  Newsweek, Time, Smithsonian. Her work has garnered multiple awards from prestigious organizations including World Press Photos, the Lowell Thomas Award for Travel Journalism, Lucie awards, the Daniel Pearl Award for Outstanding Reporting, and the Magazine Photographer of the Year award,  among many others.

Now based in Montana, Vitale is a contract photographer with National Geographic magazine and frequently gives workshops throughout the Americas, Europe and Asia. She is also making a documentary film on migration in Bangladesh and writing a book about the stories behind the images.

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JR Is Outside In

Outside In by JR

Editor’s Note: This is an amaz­ing project. In the era when peo­ple worry about the demise and/or future of jour­nal­ism, when aca­d­e­mics ques­tion the effec­tive­ness of jour­nal­ism in a 24/7 news cycle world, there is JR, who is pro­duc­ing and pro­mot­ing another form of pho­to­jour­nal­ism and not only bring­ing his sub­jects into the com­mu­ni­ca­tion process, he is bring­ing the work done on the sub­jects back to their envi­ron­ments. Check it out:

INSIDE OUT is a large-?scale par­tic­i­pa­tory art project that trans­forms mes­sages of per­sonal iden­tity into pieces of artis­tic work. Every­one is chal­lenged to use black and white pho­to­graphic por­traits to dis­cover, reveal and share the untold sto­ries and images of peo­ple around the world.

SEE VIDEO

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Andrea Bruce Shoots You In The Heart

Ingushetia by Andrea Bruce

Andrea Bruce is a passionate, stylish, skilled documentary photography who’s images -in the best traditions of still photography- sear your soul and drive their point through your heart, restoring it instead of terminating it. She is the new breed of documentary photographer that blends all the skills of good journalism with all the skills of great graphic image-making and produces a coctail that is nothing less than photo alchemy.

Take a look: http://www.andreabruce.com

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Ashley Gilbertson: Shrines and Conflicts

Contact Sheet of Ashley Gilbertson’s Conflict Photography

“He has a very good news sense and for me that’s really essential,”

says Cecilia Bohan, foreign picture editor for The New York Times.

“I need them [her photographers] to be my eyes and ears on the ground.”

Ashley Gilbertson is a VII photographer and one of the strongest Conflict Photographers working today. His recent work, done far from the battlefield but in the bedrooms of fallen soldiers, is one of the strongest testaments to the outright sadness about Loss that War induces, that this editor has ever seen.

For a sample of Mr. Gilbertson’s work:

  1. For a personal website:SEE: http://www.ashleygilbertson.com/index.php
  2. A piece  from 2004 in Photo District News, SEE: http://www.ashleygilbertson.com/index.php
  3. For The Shrine Down The Hall, SEE:  http://www.nytimes.com/interactive/2010/03/21/magazine/20100321-soliders-bedrooms-slideshow.html?hp
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