The Killer Of Film

Bermaloid of the film shelf, May 2012

Commentary by Professor B KIller

Is it really over? Film? Well, actually that’s impossible. Film is any medium that can hold an image (my translation).

But is it  that film that has silver on it on an “acetate” base is over with?

Pretty much.

I teach at a university. I’ve been there for four years. When I got there I was shocked to find out that they still had darkrooms. For one reason or another we kept them. I couldn’t arrive on the job, announce “The Darkrooms Are Dead” and be the killer!

And, as we went on, the students kept saying, “We love this.”

Well, some did. Soime hated it. Some loved and hated it. Many went on to be excellent photographers (in digital).

The point was that they were still learning some good lessons -as I and my generation did- in that dim room, swathed in yellow-red light, interacting with each other as they struggled with the old wet process of film and enlarged prints.

Cool but archaic.

So, here we are, at the end of another year, and as I look forward I struggle, once again, with the idea of being the Killer.

Anyone out there have any comments on this? Opinions? Experience with being the Killer Of The Darkroom or having fought off the axe of extinction?

Register on the blog and let me know.

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The Morgue (The Good One!)

You got to love paper. And aging. And photos. And writing.
Yes, it’s all in the “database” there, at the end of the keyboard, through Google. But is it?
Even if it is it has no texture, no odor, no reality.
Take this trip to The New York Times Morgue. A perfectly wonderful place to spend a lifetime.

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A Documentary Survey Project From China

Here is a nice vision for a documentary project that involves multiple photographers, blending old and new.

If you speak Chinese you can forgo the subtitles!

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Altaf Qadri

Altaf Qadri, 35, is an award winning photographer.

Qadri, 35, won a World Press Photo award this year for his poignant photograph of relatives mourning over the body of a man killed in a shooting by Indian police in Indian-controlled Kashmir.

 

photography Altaf Qadri

Qadri, an Indian citizen, is a native of the Kashmiri city of Srinagar. He studied science at Kashmir University and worked as a computer engineer before taking a job as a staff photographer at a local Kashmiri newspaper in 2001.

CLICK ON THIS IMAGE FOR MORE Altaf Qadri:  

In 2003, he joined the European Press Photo Agency and covered the conflict in Kashmir. In 2008, he began working for The Associated Press in the Indian city of Amritsar. His work has appeared in magazines and newspapers around the world and has been exhibited in the United States, China, France and India.

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André Cypriano Shoots The Other Venezuela

From Shantytown by André Cypriano-©2011

André Cypriano takes us into the forbidden hills of Caracas Venezuela. He takes us into a strange land of oddly shaped houses, winding streets carved out of the hills, into a land so odd and so foreign that it must be myth but can only be reality. He notices, as all greart documnentarey phtography does, that ordinary reality, in some cases, is always more intense and mind-boggling than any fiction can be,

Cypriano takes us to Rochinha.

How he got there, who gave him access and what he encounters is worth serious viewing time. In the New York times Lens Blog post, below, wander with André.

He will take you on a journey you well not forget.

For more from André Cypriano, see:

http://lens.blogs.nytimes.com/2011/12/06/in-brazil-finding-dignity-in-horror/

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Bird And Man In New Mexico

Cockfighting Man, New Mexico

©2011 by Bruce Berman

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Terry and the Dinosaur


Terry and the Dinosaur, Benson, Arizona

October 8, 2011 by Bruce Berman

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Bruce Berman Shoots Juárez

[flagallery gid=1 name="Gallery"]

 

El Paso —-

Bruce shoots Juárez. Reluctantly and with remorse.

Since 2008 the photographer has been documenting the aftermath of violence in the troubled northern Mexico city. His interest is in the effect of the Cartel War on the population of the city, particularly the effect on the children of the city who have grown up knowing little else.

His current work is in a mental institution in the city, what he refers to as “The House Of The Abandoned.”.

The body of work -The Other Truth- will appear on this site on November 18th.

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Ami Vitale; Beauty, Power, Life

Hungary Baths by Amy Vitale©2011

From Ami Vitale’s website (http://www.amivitale.com):

Ami Vitale’s journey as a photojournalist has taken her to more than 75 countries. She has witnessed civil unrest, poverty, destruction of life, and unspeakable violence. But she has also experienced surreal beauty and the enduring power of the human spirit, and she is committed to highlighting the surprising and subtle similarities between cultures. Her photographs have been

exhibited around the world in museums and galleries and published in international magazines including National Geographic, Adventure, Geo,  Newsweek, Time, Smithsonian. Her work has garnered multiple awards from prestigious organizations including World Press Photos, the Lowell Thomas Award for Travel Journalism, Lucie awards, the Daniel Pearl Award for Outstanding Reporting, and the Magazine Photographer of the Year award,  among many others.

Now based in Montana, Vitale is a contract photographer with National Geographic magazine and frequently gives workshops throughout the Americas, Europe and Asia. She is also making a documentary film on migration in Bangladesh and writing a book about the stories behind the images.

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Henri Rocks

Is Photojournalism Dead Yet?

by Bruce Berman

A whole generation of street photographers have emerged in the digital era.

In fact there is a book dedicated to the subject that has over one hundred street photographers published.

I do not know one name.

What one can glean from this book and the plethora of postings on Facebook, Flickr, and other social media sites is that there are still photograp0hers who go into the streets with intention, commitment and courage and dance with the uncertainty of the randomness of street photography.

For a very good example of this work, visit http://www.street-photographers.com.

The work is good!

Another interesting site is on Vimeo and is produced by the prodigious street photographer Chris Weeks:

Street Photography: Documenting the Human Condition – Part One of Three from Chris Weeks on Vimeo.

But, in the end -and most street photographers acknowledge this- there is still the master of the Decisive Moment, The Man (!), Henri Cartier-Brsson. His work is still fresh, still charming, still brilliantly composed and still a model for a generation, shooting now, who’s grandparents were barely born when Henri was snapping away with his new found Leica.

For a thrilling and significant look at Bresson’s work, view the video below.

Contacts Henri Cartier Bresson english subbed from Ricardo J. Martins on Vimeo.

The next post will be an in depth look at street photography in thjis era, the era of post 9/11 street paranoia, digital speed and, seemingly, the “we have already seen everything,” media.

For now, Henri still rocks.

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Henri Still Kicks!

 

Article posted courtesy of Huffington Post and Steve Ettlinger

Is Photojournalism Dead Yet?

by Steve Ettlinger

Born in the 1930?s, come of age in the 1950?s and 60?s, and pronounced near dead in the 1970?s and virtually buried by the closing of magazines/rise of the internet–you have to wonder how it is that some aspects of this wonderful world are still around. Read the rest of this entry »

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JR Is Outside In

Outside In by JR

Editor’s Note: This is an amaz­ing project. In the era when peo­ple worry about the demise and/or future of jour­nal­ism, when aca­d­e­mics ques­tion the effec­tive­ness of jour­nal­ism in a 24/7 news cycle world, there is JR, who is pro­duc­ing and pro­mot­ing another form of pho­to­jour­nal­ism and not only bring­ing his sub­jects into the com­mu­ni­ca­tion process, he is bring­ing the work done on the sub­jects back to their envi­ron­ments. Check it out:

INSIDE OUT is a large-?scale par­tic­i­pa­tory art project that trans­forms mes­sages of per­sonal iden­tity into pieces of artis­tic work. Every­one is chal­lenged to use black and white pho­to­graphic por­traits to dis­cover, reveal and share the untold sto­ries and images of peo­ple around the world.

SEE VIDEO

Read the rest of this entry »

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