Andrea Bruce Shoots You In The Heart
Posted by bruce in Conflict, Documentary Photography, Middle East, Photography That Matters, The Human Condition, War, Women, social displacement on July 2, 2010
Ingushetia by Andrea Bruce
Andrea Bruce is a passionate, stylish, skilled documentary photography who’s images -in the best traditions of still photography- sear your soul and drive their point through your heart, restoring it instead of terminating it. She is the new breed of documentary photographer that blends all the skills of good journalism with all the skills of great graphic image-making and produces a coctail that is nothing less than photo alchemy.
Take a look: http://www.andreabruce.com
Henri Still Kicks!
Posted by bruce in Documentary Photography, Photography That Matters, The Human Condition on July 2, 2010
Article posted courtesy of Huffington Post and Steve Ettlinger
Is Photojournalism Dead Yet?
by Steve Ettlinger
Born in the 1930?s, come of age in the 1950?s and 60?s, and pronounced near dead in the 1970?s and virtually buried by the closing of magazines/rise of the internet–you have to wonder how it is that some aspects of this wonderful world are still around. Read the rest of this entry »
Ashley Gilbertson: Shrines and Conflicts
Posted by bruce in Conflict, Documentary Photography, Photography That Matters, social displacement on April 19, 2010
Contact Sheet of Ashley Gilbertson’s Conflict Photography
“He has a very good news sense and for me that’s really essential,”
says Cecilia Bohan, foreign picture editor for The New York Times.
“I need them [her photographers] to be my eyes and ears on the ground.”
Ashley Gilbertson is a VII photographer and one of the strongest Conflict Photographers working today. His recent work, done far from the battlefield but in the bedrooms of fallen soldiers, is one of the strongest testaments to the outright sadness about Loss that War induces, that this editor has ever seen.
For a sample of Mr. Gilbertson’s work:
- For a personal website:SEE: http://www.ashleygilbertson.com/index.php
- A piece from 2004 in Photo District News, SEE: http://www.ashleygilbertson.com/index.php
- For The Shrine Down The Hall, SEE: http://www.nytimes.com/interactive/2010/03/21/magazine/20100321-soliders-bedrooms-slideshow.html?hp
End of Labor Town: Dumping Ground of Old Men in Japan
Posted by bruce in Documentary Photography, Photography That Matters, social displacement on December 27, 2009
These are not the view of Japan that we normally see. Shiho Fukada shows us how some elderly people in Japan fare. It is not a story unique to Japan.
SEE http://www.socialdocumentary.net/exhibit/shiho_fukada/728
Sara Terry: The Aftermath
Posted by bruce in Uncategorized on December 26, 2009
Women returning home from a visit to the homes they fled
in 1995 in Srebrenica, Bosnia, September 2000
SEE: http://www.bosniaaftermath.com/widows.html#
These images from Sara Terry document the aftermath of the war in Bosnia. They are classic documentary images in that they take us to where we have not gone and they show us the meaning of a situation by isolating its moments, by cutting to the essential. This story goes deep because the photographer goes deep. These photographs stay with us because the “moment,” was stopped for us.
Pearl Harbor Brownie
Posted by bruce in Conflict, Documentary Photography, Photography That Matters on September 11, 2009
Moises Saman: Lost Boys of Afghanistan
Posted by bruce in Children, Documentary Photography, Middle East, The Human Condition on August 31, 2009
Lost Boys of Afghanistan by Moises Saman
See this stirring slideshow by Moises Saman shot for The New York Times: http://www.nytimes.com/slideshow/2009/08/27/world/20090827AFGHANMINORS_index.html
Evgen Bavcar: The Blind Photographer
Posted by bruce in Documentary Photography, Photography That Matters, The Human Condition on August 18, 2009
Self portrait by Evegen Bavcar
Photography has always been thought about as “another,” way of seeing.
And it is.
But, usually, we think about that as a person looking through the camera, seeing what’s there, and, through the magic of the camera and the film -or digital- capture process, one sees the world in different way.
More advanced photographers and appreciators of photography then allow for the transformative recognition of the quality and angle of light, of the Decisive Moment, of the power of distance to subject or, even, luck or magic.
It is this latter idea that infuses the work of Evgen Bavcar ((“E-oo-gen Ba-oo-char”), the Slovenian photographer is completely blind, completely eccentric and his images are totally wonderful. Read the rest of this entry »
Dhiraj Singh: Video Biographer
Posted by admin in Documentary Photography, Photography That Matters, The Human Condition, social displacement on August 7, 2009
“My name is Dechen.”
Watch this touching video done by Dhiraj Singh.
He did an interesting thing: A Video Biograph.
In a way, all Visual Journalists who do stories on people, are doing “biography,” but with the addition of audio, where the subject can speak for themselves (edited, of course), where the image-maker can animate the images and drive the viewer’s emotions, the subject of the story becomes more “alive,” the depth is ratcheted up, and, potentially, the medium is beginning to resolve the age old struggle of photojournalism: Who’s viewpoint is this about? The subject’s or the photographer’s? Read the rest of this entry »
Dhiraj Singh: The (New) Eyes Of India
Posted by bruce in Documentary Photography, Photography That Matters, Sub Continent, The Human Condition, War, social displacement on August 6, 2009
From “Six Feet Under,” ©2009Dhiraj Singh
For more work by Dhiraj Singh, SEE: http://www.dhirajsingh.com/01.htm
Dhiraj Singh is a Photojournalist who lives in Mumbai, India. His work has been published in numerous international magazines and online journals, including Newsweek, Vanity Fair, msnbc.com, The Wall Street Journal, L’Expresso, and, many others. He has won numerous awards (see his “bio,” on his site, above) and participated in many exhibitions. His pictures of the Mumbai terror attacks in 2008 were part of the prestigious group exhibition titled, ‘Bearing Witness’ held in Mumbai in 2009.
Documentaryshooters is honored to have permission to publish Mr. Singh’s work. We feel he has the insights and skills to show India as it is, depicting its greatness and its struggles, its deep and ancient soul as well as its modern and energetic heart. He, as no other photographer has, since, the great Raghu Rai’s seminal work of the 1970′s, ’80′s and 90′s, not only shows India and the sub continent, he makes us feel it. Read the rest of this entry »
Parikarma: But It Rained
Posted by bruce in Documentary Photography, War, social displacement on August 6, 2009
Parikrama: But It Rained from Split Magazine on Vimeo.
This is a rock band video based on a magazine article about kidnap victims in Kashmir and those who wait for their return. This is one of India’s most revered bands and was one of India’s all time most popular rock songs.
Alan Berner And The American West
Posted by bruce in Documentary Photography, Photography That Matters, The Americas on July 29, 2009
Harold G. Olson and his goat Buddy,
Stuck, Washington, ©2005
(from a story on annexation in
King County, Washington)
Alan Berner is a staff photographer for the Seattle Times.
He is also one of the most exciting, interesting and undiscovered photography talents on the planet.
His work is lyrical, thoughtful, enjoyable, moving, well constructed and intelligent. Read the rest of this entry »







